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A cappella - |
One or more vocalists performing without an accompaniment. |
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Accelerando - |
Symbol used in musical notation indicating to gradually quicken tempo. |
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Adagio - |
Tempo having slow movement; restful at ease. |
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Allegro - |
Lively and fast tempo. |
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Atonal - |
Music that is written and performed without regard to any specific key.
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Baroque - |
Time in music history ranging from the middle of the 16th to the middle
of the 17th centuries. Characterized by emotional, flowery music;
written in strict form. |
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Beat - |
The unit of musical rhythm. |
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Cadence - |
Sequence of chords that brings an end to a phrase, either in the middle
or the end of a composition. |
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Cadenza - |
Elaborate solo passage performed by an instrumentalist or vocalist in an
aria or concerto. |
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Cadenza - |
Originally an improvised cadence by a soloist. Later it became a written
out passage to display performance skills of an instrumentalist or
performer. |
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Canon - |
Musical form where the melody or tune is imitated by individual parts at
regular intervals. The individual parts may enter at different measures
and pitches. The tune may also be played at different speeds, backwards,
or inverted. |
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Cantabile - |
Style of singing which is characterized by the easy and flowing tone of
the composition. |
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Cantata - |
Music written for chorus and orchestra. Most often religious in nature. |
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Capriccio - |
Quick, improvisational, spirited piece of music. |
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Carol - |
Song or hymn celebrating Christmas. |
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Cavatina - |
Short and simple melody performed by a soloist that is part of a larger
piece. |
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Chamber music - |
Written for 2 to 10 solo parts featuring one instrument to a part. Each
part bears the same importance. |
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Chant - |
Singing in unison, texts in a free rhythm. Similar to the rhythm of
speech. |
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Choir - |
Group of singers in a chorus. |
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Chorale - |
Hymn sung by the choir and congregation often in unison. |
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Chord - |
Normally harmonious 3 or 4 notes played simultaneously. |
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Chord progression - |
String of chords played in succession. |
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Chorus - |
Group singing in unison. |
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Chromatic scale - |
Includes all twelve notes of an octave. |
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Classical - |
Period of music history which dates from about the mid-1700’s to
mid-1800’s. The music was spare and emotionally reserved, especially
when compared to Romantic and Boroque music. |
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Classicism - |
The period of music history dating from the mid-1800’s and lasting about
sixty years. There was a strong regard for order and balance.
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Clavier - |
The keyboard of a stringed instrument. |
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Clef - |
In sheet music, a symbol at the beginning of the staff defining the
pitch of the notes found in that particular staff. |
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Coda - |
Closing section of a movement. |
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Concertmaster - |
The first violin in an orchestra. |
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Concerto - |
Composition written for a solo instrument. The soloist plays the melody
while the orchestra plays the accompaniment. |
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Conductor - |
One who directs a group of musicians comprising an ensemble. The
conductor indicates the tempo, phrasing, dynamics, and style by gestures
and facial expressions. |
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Consonance - |
Groups of tones that are harmonious when sounded together as in a chord. |
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Contralto - |
Lowest female singing voice. |
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Counterpoint - |
Two or three melodic lines played at the same time. |
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Courante - |
A piece of music written in triple time. Also an old French dance. |
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Da Capo - |
In sheet music, an instruction to repeat the beginning of the piece
before stopping on the final chord. |
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Deceptive cadence - |
A chord progression that seems to lead to resolving itself on the final
chord but does not. |
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Development - |
Where the musical themes and melodies are developed, written in sonata
form. |
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Dissonance - |
Harsh, discordant, and lacking harmony. Also, a chord that sounds
incomplete until it resolves itself on a harmonious chord. |
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Drone - |
Dull, monotonous tone such as a humming or buzzing sound. Also, a bass
note held under a melody. |
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Duet - |
Musical piece written for and/or performed by two vocalists or
instrumentalists. |
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Dynamics - |
Pertaining to the loudness or softness of a musical composition. Also
the symbols in sheet music indicating volume. |
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Elegy - |
An instrumental lament with praise for the dead. |
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Encore - |
A piece of music played at the end of a program in response to an
audience’s enthusiastic reaction to the performance. |
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Energico - |
A symbol in sheet music a direction to play energetically. |
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Enharmonic Interval - |
Two notes that differ in name only. The notes occupy the same position.
For example: C sharp and D flat. |
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Ensemble - |
The performance of either all instruments of an orchestra or voices in a
chorus. |
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Espressivo - |
Direction to play expressively. |
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Etude - |
Musical composition written solely to improve technique, a study. Often
performed for artistic interest. |
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Exposition - |
First section of a movement written in sonata form, introducing the
melodies and themes. |
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Expressionism - |
Atonal and violent style used to evoke heightened emotions and states of
mind. |
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Falsetto - |
Style of male voice utilizing an upper register of the vocal chords
typical of the female pitch. |
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Fermata - |
To hold a tone or rest held beyond the written value at the discretion
of the performer. |
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Fifth - |
Interval between two notes comprising three whole tones and one
semitone. |
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Finale - |
Movement or passage that concludes the musical composition. |
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Flat - |
A symbol indicating that the note is to be diminished by one semitone. |
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Form - |
The structure of a piece of music. |
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Forte - |
Symbol indicating to play loud. |
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Fourth - |
Iinterval between two notes comprising two whole tones and one semitone. |
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Fugue - |
A composition written for three to six voices. Beginning with the
exposition, each voice enters at different times, creating counterpoint
with one another. |
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Galliard - |
Music written for a lively French dance for two performers written in
triple time. |
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Gavotte - |
A 17th century dance written in Quadruple time, always beginning on the
third beat of the measure. |
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Glee - |
Vocal composition written for three or more solo parts, usually without
instrumental accompaniment. |
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Glissando - |
Sliding between two notes. |
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Grandioso - |
Indicating that the movement or entire composition is to be played
boldly, elegantly and majestically. |
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Grave - |
Movement or entire composition is to be played slowly and somberly. |
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Grazioso - |
Movement or entire composition is to be played gracefully. |
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Gregorian Chant - |
Singing or chanting in unison without strict rhythm. Collected during
the Reign of Pope Gregory VIII for psalms and other other parts of the
church service. |
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Harmony - |
Pleasing combination of two or three tones played together in the
background while a melody is being played. Harmony also refers to the
study of chord progressions. |
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Homophony - |
Music written to be sung or played in unison. |
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Hymn - |
Song of praise and glorification of God. |
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Impromptu - |
Short piano piece, often improvisational and intimate in character. |
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Instrumentation - |
Arrangement of music for a combined number of instruments. |
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Interlude - |
Piece of instrumental music played between scenes in a play or opera. |
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Intermezzo - |
Short movement or interlude connecting the main parts of the
composition. |
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Interpretation - |
Individuality the musician brings to a performance. |
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Interval - |
Distance in pitch between two notes. |
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Intonation - |
Manner in which tones are produced with regard to pitch. |
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Introduction - |
Opening section of a composition or movement. |
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Key - |
Structure of notes or tones throughout a composition. |
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Key signature - |
Flats and sharps at the beginning of each staff line indicating the key
in which the composition is to be played. |
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Klangfarbenmelodie - |
Technique of altering the tone color of a single note or musical line by
changing from one instrument to another in the middle of a note or line. |
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Leading note - |
Seventh note of the scale where there is a strong desire to resolve on
the tonic. |
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Legato - |
Indication that the movement or entire composition is to be played
smoothly. |
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Leitmotif - |
Musical theme given to a particular idea or main character of an opera. |
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Libretto - |
Book of text containing the words of an opera. |
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Ligature - |
Curved line connecting notes to be sung or played as a phrase. |
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Madrigal - |
Contrapuntal song written for at least three voices, usually without
accompaniment. |
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Maestro - |
Refers to any great composer, conductor, or teacher of music, a master. |
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Major - |
One of the two modes of the tonal system. Music written in major keys
have a positive affirming character. |
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March - |
Form of music written in two-step time, originally used for military
processions. |
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Measure - |
Metric unit between two bars on the staff; a bar; unit of elapsed time
tracked by individual musical tones, usually two, three, four beats,
each of identical duration. |
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Medley - |
Often used in overtures, a composition that uses passages from other
movements of the composition in its entirety. |
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Mezzo - |
Voice between soprano and alto. Also, in sheet music, a direction for
the tempo to be played at medium speed. |
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Minor - |
One of the two modes of the tonal system, often identified with a
melancholic mood. |
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Minuet - |
Slow and stately dance music written in triple time. |
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Modes - |
Either of the two octave arrangements in modern music. The modes are
either major or minor. |
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Modulation - |
A shift to another key, often repetitive. |
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Monotone - |
Repetition of a single tone. |
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Motif - |
Primary theme or subject that is developed. |
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Movement - |
A separate section of a larger composition. |
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Musette - |
A Baroque dance with a drone-bass. |
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Musicology - |
The study of forms, history, science, and methods of music. |
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Natural - |
A symbol in sheet music that returns a note to its original pitch after
it has been augmented or diminished. |
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Neoclassical - |
Movement in music where the characteristics are crisp and direct. |
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Nocturne - |
Musical composition with romantic or dream-like character or
associations. |
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Nonet - |
Composition written for nine instruments. |
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Notation - |
Method of writing music first developed in the 8th century.
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Obbligato - |
Extended solo, often accompanying the vocal part of an aria. |
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Octave - |
Eight full tones above the key note where the scale begins and ends. |
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Octet - |
Composition written for eight instruments, or a group of eight
instrumentalists. |
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Opera - |
Musical drama where the words are sung instead of spoken.
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Operetta - |
Short light musical drama. |
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Opus - |
A musical work; a convenient method of numbering a composer’s
composition, e.g., Opus 28, No. 4. |
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Oratorio - |
Extended cantata on a sacred subject. |
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Orchestra - |
Large group of instrumentalists assembled to perform music. |
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Orchestration - |
Musical arrangement for an orchestra. Also, the study of music. |
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Ornaments - |
Tones used to embellish the principal melodic tone. |
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Ostinato - |
Repeated phrase. |
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Overture - |
Introduction to an opera or other large musical work. |
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Parody - |
Composition based on previous work. A common technique used in Medieval
and Renaissance music. |
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Part - |
Line in a contrapuntal work performed by an individual voice or
instrument. |
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Partial - |
Harmonic tone emitted together with the primary tone. |
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Partita - |
Suite of Baroque dances. |
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Pastoral - |
Composition with a simple and idyllic style suggestive of rural scenes. |
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Pentatonic Scale - |
Musical scale having five notes. For example, the five black keys of a
keyboard make up a pentatonic scale. |
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Perfect Pitch - |
Ability to identify precisely the note played, an ability appearing in
less than 1% of the population at large. |
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Phrase - |
Single line of music played or sung. A musical sentence.
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Piano - |
Indicating that the piece is to be played softly. Abbreviated by a "p". |
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Pitch - |
Acoustic frequency of a note. |
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Pizzicato - |
Stringed instruments that are picked instead of bowed. |
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Polyphony - |
Combining a number of individual but harmonizing melodies. Also known as
counterpoint. |
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Polytonality - |
Combination of two or more keys played at the same time. |
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Portamento - |
Mild glissando between two notes for an expressive effect. |
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Prelude - |
Short musical piece written to precede a more substantial work; also an
orchestral introduction to opera not lengthy enough to be considered an
overture. |
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Presto - |
Indication of a very fast tempo. |
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Progression - |
Movement of chords in succession. |
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Quadrille - |
19th century square dance written for 4 couples. |
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Quartet - |
Group of four musicians who perform a composition together. |
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Quintet - |
Group of five musicians who perform a composition together. |
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Recapitulation - |
A reprise. |
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Recital - |
Solo concert with or without accompaniment. |
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Recitative - |
Form of writing for vocal performances that approximates the manner of
speech and is rhythmically free. |
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Reed - |
The vibrating component, normally made from wood, in wind instruments,
which produces sound. |
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Refrain - |
Repeating phrase that is played at the end of each verse in the song.
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Register - |
Portion of the range of the instrument or voice. |
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Relative major and minor - |
The major and minor keys that share the same notes in that key. For
example: A minor shares the same note as C major. |
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Relative pitch - |
Ability to determine the pitch of a note as it relates to the notes that
precede and follow it. |
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Renaissance - |
Period in history dating from the 14th to 16th centuries. This period
signified the rebirth of music, art, and literature. |
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Reprise - |
To repeat a previous part of a composition generally after other music
has been played. |
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Requiem - |
Dirge, hymn, or musical service for the repose of the dead. |
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Resonance - |
A condition resulting from several strings being harmonically related,
such that all strings vibrate when only one of the strings is struck. |
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Rhythm - |
The element of music pertaining to time, played as a grouping of notes
into accented and unaccented beats. |
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Ricercar - |
Elaborate polyphonic composition of the Boroque and Renaissance periods. |
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Rigaudon - |
Quick 20th century dance written in double time. |
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Rococo - |
Musical style characterized as excessive, ornamental, and trivial. |
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Romantic - |
Period in history during the 18th and early 19th centuries where focus
shifted from the neoclassical to an emotional, expressive, and
imaginative style. |
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Rondo - |
Musical form where the principal theme is repeated several times. The
rondo was often used for the final movements of classical sonata form
works. |
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Root - |
Principal note of a triad. |
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Round - |
Canon where the melody is sung in two or more voices. After the first
voice begins, the next voice starts singing after a couple of measures
are played in the preceding voice. All parts repeat continuously. |
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Rubato - |
Important characteristic of the Romantic period, where the strict tempo
is temporarily abandoned for a more emotional tone. |
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Scale - |
Successive notes of a key or mode either ascending or descending. |
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Scherzo - |
Pertaining to the sonata form, a fast movement in triple time. |
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Scordatura - |
The retuning of a stringed instrument in order to play notes below the
ordinary range of the instrument or to produce an usual tone color. |
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Septet - |
Set of seven musicians who perform a composition written for seven
parts. |
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Sequence - |
Successive transposition and repetition of a phrase at different
pitches. |
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Serenade - |
A lighthearted piece, written in several movements, usually as
background music for a social function. |
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Sextet - |
Ensemble of six musicians. |
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Sharp - |
Symbol indicating the note is to be raised by one semitone. |
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Slide - |
Glissando or portamento. Also refers to the moving part of a trombone. |
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Slur - |
A curve placed over notes in sheet music to indicate that a phrase is to
be played legato. |
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Sonata - |
Music of a particular form consisting of four movements. Each of the
movements differ in tempo, rhythm, and melody, but are held together by
subject and style. |
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Sonata form - |
Complex musical form, usually the first movement of the piece, which
serves as the exposition, development, or recapitulation. |
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Sonatina - |
Short or brief sonata. |
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Song cycle - |
Sequence of songs, perhaps on a single theme, or with texts by one poet,
or having continuos narrative. |
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Soprano - |
The highest female voice. |
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Staccato - |
Short detached notes, as opposed to legato. |
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Staff - |
Made up of five horizontal parallel lines and the spaces between them on
which musical notation is written. |
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Stretto - |
Pertaining to the fugue; the overlapping of the same theme or motif by
two or more voices a few beats apart. |
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String Quartet - |
Group of 4 instruments, two violins, a viola, and cello. |
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Suite - |
Loose collection of instrumental compositions. |
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Symphony - |
Three to four movement orchestral piece, generally in sonata form. |
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System - |
Combination of two or more staves on which all the notes are vertically
aligned and performed simultaneously in differing registers and
instruments. |
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Tablature - |
System of notation for stringed instruments. The notes are indicated by
the finger positions. |
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Temperament - |
Refers to the tuning of an instrument. |
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Tempo - |
Indicating the rate or speed at which the composition is performed. |
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Tessitura - |
Range of an instrumental or a vocal part. |
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Theme - |
Melodic or, sometimes a harmonic idea presented in a musical form. |
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Timbre - |
Tone color or sound quality that distinguishes one verse or instrument
to another. It is determined by the harmonies of sound. |
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Time Signature - |
Numeric symbol in sheet music determining the number of beats to a
measure. |
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Tonal - |
Pertains to tone or tones. |
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Tonality - |
Tonal characteristics determined by the relationship of the notes to the
tone. |
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Tone - |
The frequency, pitch, and modulation of a musical note. |
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Toneless - |
Unmusical, without tone. |
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Tonic - |
Of or having to do with tone. The first tone of a scale also known as a
keynote. |
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Treble - |
The playing or singing the upper half of the vocal range. Also the
highest voice in choral singing. |
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Tremolo - |
Quick repetition of the same note or the rapid alternation between two
notes. |
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Triad - |
Three note chords consisting of a root, third, and fifth. |
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Trill - |
Rapid alternation between notes that are a half tone or whole tone
apart. |
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Trio - |
Composition written for three voices and instruments performed by three
persons. |
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Triple time - |
Time signature with three beats to the measure. |
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Triplet - |
Three notes played in the same amount of time as one or two beats. |
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Tritone - |
Chord comprised of three whole tones resulting in an augmented fourth or
diminished fifth. |
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Tune - |
Rhythmic succession of musical tones; a melody for instruments or
voices. |
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Tuning - |
Raising and lowering a pitch of an instrument to produce the correct
tone of a note. |
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Tutti - |
Passage for the entire ensemble or orchestra without a soloist. |
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Twelve-tone music - |
Music composed such that each note is used the same number of times. |
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Unison - |
Two or more voices or instruments playing the same note simultaneously. |
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Verisimo - |
Form of Italian opera beginning at the end of the 19th century. The
setting is contemporary to the composer’s own time, and the characters
are modeled after everyday life. |
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Vibrato - |
Variation in pitch caused by quickly alternating between notes. |
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Virtuoso - |
Person with notable technical skill in the performance of music. |
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Vivace - |
Brisk, lively, and spirited. |
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Voice - |
One of several parts in polyphonic music. Voice refers to instrumental
parts as well as vocals. |
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Waltz - |
Dance written in triple time, where the accent falls on the first beat
of each measure. |
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Whole note - |
A particular duration for a tone equal to 2 half notes, 4 quarter notes,
8 sixteenth notes, etc. |
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Whole-tone
scale - |
Scale
consisting of six whole-tone notes. |